(Reverb is Inspired by the Lexicon PCM 70) The HI CUT knob sets the frequency above which the source signal will not pass through the reverb. Graphic equalizer without frequency response correction. This compensated EQ will produce an adjustment that is identical to the actual positioning of the sliders. FEED L and FEED R control the amount of feedback forÂ, the left and right channels. Â, Sometimes called a 3-Tap Delay, the Triple Delay provides three delay stages withÂ, independent frequency, gain, and pan controls. The FEEDHC knob adjusts the delay high-cut frequency, while the FEEDBACK knob adjusts the number of repeats. (Inspired by the famous Aphex Aural Exciter) The PREAMP knob adjusts the amount of input gain prior to the band-specific distortion adjustment. The DAMPING knob determines the decay of high frequencies within the reverb tail. PAN B sets the position of the third gain stage in the stereo field. The resonance is adjusted with the RESO knob. 5.15 Using the X32 in recording and production studio environments, 5.17 Recording a 2-track directly with the console, 6.1 Configuring the X-USB card for use in the console, 6.2 Configuring the PC to Interface with the X-USB Card, 5.2 Default setup for connecting to monitoring and P.A. Shop for a wide range of guitars, drums, pianos, live sound & recording gear at Gear4music. HI CUT adjusts the high frequency cut, allowing higher frequencies to remain unaffected by the reverb. They can enhance the signal spectrum in bass, midrange and high frequencies but they differ from traditional equalizers. DENSITY manipulates the reflection density in the simulated room. OFFSET LR adds a delay difference between the left and right delayed signals. Want to unlock the full potential of your X-32? The LFO PHASE between left and right channel can be offset by up to 180 degrees, and WAVE adjusts the LFO waveform from a sine wave to triangular wave. A Stereo Phaser, or phase shifter, applies multiple STAGES of modulated filters to the input signal to create a “notch” in the frequency response, and then applies a MIX with the original for a “swirling” effect. The XFEED knob allows you to send the delay sound to the reverb effect, so instead of running completely parallel, the reverb effects the echos to a selected degree. DIFF(USION) controls the initial reflection density. STEREO LINK applies limiting to both channels equally when activated. GAIN adjusts the output gain of the effect. Engage the SOLO MODE to isolate only the audio resulting from the effect so you can hear exactly what you’re adding to the mix. (Inspired by the TC Electronic D-Two) Stereo Tremolo creates an up and down volume change at a constant and even tempo just like the guitar amps of yesteryear. SQUEEZE adds compression to the signal to add punch and aÂ, slight distortion depending on the amount you dial in. The DECAY knob adjusts the time it takes for the reverb to completely dissipate. Re: iPad apps - XiControl Thanks Mateusz, it works like a charme. 40-Input, 25-Bus Digital Mixing Console with 32 Programmable MIDAS Preamps, 25 Motorized Faders, Channel LCD's, 32-Channel Audio Interface and iPad/iPhone* Remote Control Reverbs, Delays, Leisure Compressor, Ultimo Compressor, Fair Comp, Precision Limiter, Stereo Combinator and more! Small Vocal Hall 5. Easy to use, the Precision Limiter plug-in is a colorless, transparent mastering limiter. 5.13 What kinds of Utilities are available? FACTOR R sets the delay on the right channel to rhythmic fractions of the master delay time. The SIZE controls how large or small the simulated space is (room, cathedral, etc.). The BALANCE knob adjusts the ratio between delay and chorus. Watch Stagehand TV-Intro To Precision Limiter - thelocalstagehand on Dailymotion. Table of Contents. From shimmering cleans to saturated crunch, X32’s Stereo / Dual Guitar Amp allows an electric guitar player to sound great without using an amp on stage. Available in 32-bit and 64-bit AAX, Audio Unit, VST and RTAS, so you shouldn't have any problems running it on the latest versions of your favourite DAW. Anyway, I recently read at the german Studio Magazin (it was an older article), that we have to look at intersample peaks which shoots through brickwalls and causes audible distortion in nearly all cd players. PHASE can be used to set an LFO phase difference between the left and right channel, which can be used for panning effects. Use X32’s Stereo Tremolo to add a unique “surf-music” texture to a vocal or instrument track. FACTOR B controls theÂ, amount of delay time in the third stage of the delay. Step 1: Set Up the FX On the X32, tap the EFFECTS button and navigate to the home tab. FACTOR L sets the delay on the left channel to rhythmicÂ, fractions of the master delay time. PAN B sets the position of the third gain stage in theÂ, Ambience creates a customizable virtual acoustic space in which to place theÂ, elements of a mix. Limited Warranty The DECAY knob adjusts the time it takes forÂ, the reverb to completely dissipate. Adjust the harmonic content added to the signal with the HARMONICS knob, and blend in the effected signal with the MIX knob. Use X32âs Stereo Precision Limiter to boost quiet signals or preventing clipping while preserving the level of 5.8 How do I share signals over AES50 Supermac network? X32 serves the user a full complement of 25 long-throw, 100 mm motorized servo faders for primary mix control. KNEE adjusts the soft limiting threshold point from hard limiting (0 dB) to maximum soft limiting (10 dB). The FEEDHC knob adjusts the delay high-cut frequency, while the FEEDBACK knob adjusts the number of repeats. RISE controls how quickly the effect builds up. Based on the legendary EMT250, X32’s Vintage Reverb delivers shimmering bright reverb that won’t drown out or overpower your live or recorded tracks. Uses only one FX slot. The SIZE controls how large or small the simulated space is (room, cathedral, etc.). Our algorithm simulates that sound with high initial diffusion and a bright colored sound. MOD adjusts the level of reverb decay modulation. Level setsÂ, the volume output of the affected signal. PAN A sets the position of the second delay stage in the stereo field. Use Ambience to add warmth and depth without coloring theÂ, direct sound. Low frequencies can be excluded with the LO CUT knob, and the MIX knob adjusts how much of the effect is added to the signal. The X-FEED knob allows you to send the delay sound to the flanger effect. PRE DELAY controls the amount of time before the reverberation is heard following the source signal. DISTANCE adjusts the distance between the Rotary speakers and the virtual microphone. The HiSvFr/HiSvGn knobs adjust a Hi-Shelving filter at the input of the reverb effect. PAN A setsÂ, the position of the second delay stage in the stereo field. It is an emulation of the famous Urei 1176LN which was released in 1968. The BASS and HI FREQuencies can be specifically selected, while the MID Q (bandwidth) can be adjusted instead. Small Drum Hall 4. The signal envelope, shaped by ATTACK, HOLD and RELEASE, can be used to modulate the LFO speed (ENV SPEED) and the LFO modulation depth (ENV DEPTH). SPREAD controls how the reflection is distributed through the envelope of the reverb. The CABINET simulation can be bypassed if the guitarist is already using a real cab, which allows the effect to function like a boost or distortion pedal. Vintage Room simulates the reverberation that occurs when sound is recorded in a small room. The DECAY knob adjusts how quickly the reverb fades. DECAY controls the amount of time it takes for the reverb to dissipate. The TIME knob adjusts the delay time, and the PATTERN knob sets the delay ratio for the right channel and negative values activate a cross feedback between the two channels. Adjusting the ATTACK knob can add punch or tame overly dynamic signals. SPEED, DELAY and DEPTH adjust the rate, delay, and modulation depth of the flanger. The LOW and HIGH knobs allow EQ adjustment independent of distortion content, and the overall output is controlled by the LEVEL knob. LO CUT adjusts the low frequency cut,Â, allowing lower frequencies to remain unaffected by the reverb. Use the Stereo Delay to give your mono signals a wide presenceÂ, TIME adjusts the master delay time up to three seconds. DIFFUSE controls the initial echo density. 5.4 How do I add one of the 8 internal effects to the sound? LO CUT sets the input frequency below which the source signal will not pass through the effect. FACTOR L sets the delay on the left channel to rhythmic fractions of the master delay time. This combination effect merges a user-definable Delay (echo) with a studio-quality Chorus sure to fatten up even the “skinniest” track. Is it possible to create this tool for offline use? MOD adjusts the level of reverb decay modulation. 5.5 How do I use an outboard effects processor? When layer 1 is selected, the first slider on the left sets the reverb time from 4 milliseconds to 4.5 seconds. system? FEEDback can be adjusted with positive and negative amounts. LOW CUT sets the frequency below which the source signal does not pass through the reverb. The PREDELAY knob determines the hesitation before the reverb affects the signal. This document regroups the data contained in version 1.01 of the OSC protocol for the X32 family of products released by Behringer in Oct. 2012, and a large number of additional OSC messages for communicating with the X32, their syntax and use, along The extreme use of the effect is to turn the Mix knob fully-clockwise so the entire signal is effected. These are standard graphic equalizers that provide 31 bands of adjustment between 20 Hz and 20 kHz. Increasing the SUSTAIN knob acts in a similar way as a compressor, allowing the peaks to carry longer before decay. This combination effect only takes up one FX slot. ROOM SIZE adjusts the size of the room effect being created incrementally from small to large. The HiSvFr/ HiSvGn knobs adjust a Hi-Shelving filter at the input of the reverb effect. 100 effects presets for the Midas M32 and Behringer X32! FYI, the midas snake is compatible with the x32 and only a few hundred more than the s16 digital snake so you can do like me and save on a budget by getting an x32 producer, and by the time you're ready to upgrade from some great sounding pres to some amazing ones, you might also be in need of a good digital snake now you have 32 channels with half the x32 pres and half real midas. LO CUT adjusts the low frequency cut, allowing lower frequencies to remain unaffected by the reverb. See the Topic Guide for instructions on how to add effects to a channel or bus. Mix-hardware performance optimized, most simple safety concept! X32’s Plate Reverb will give your tracks the sound heard on countless hit records since the late 1950s. 5.3 How do I connect a microphone, process its signal and send it out to the P.A. DECAY controls the amount of time it takes for the reverb to dissipate. The BALANCE knob adjusts the ratio between delay and flanger. MONO activates a mono mix of both channels for the delay input. systems, 5.7 Everything you ought to know about Solo and monitor sources, 5.15 Using the X32 COMPACT in recording and production studio environments, 5.1 Starting up, shutting down,and firmware updates, Everything you ought to know about Solo and monitor sources, 5.15 Using the X32 Producer in recording and production studio environments. The X32 COMPACT is a robust-yet-streamlined mixer that features all of the core functionality and processing of BEHRINGER's flagship X32 console in a smaller form factor. (Inspired by the Lexicon Hall) Can Senate Handle Trumpâs Impeachment And A New Stimulus Package At Once (Reverb is Inspired by the Lexicon PCM 70) HI CUT sets the input frequency above which the input signal will not pass through the effect. PRE DELAY controls the amount of time before the reverberation is heard following the source signal. Use the BALANCE knob to adjust the ratio between delay and reverb. The Behringer Ultimo Compressor is compressor/limiter effect that is built into the Behringer X32 & Midas M32 Effects Rack. FACTOR B controls the amount of delay time in the third stage of the delay. With the 4 POLE switch engaged, there will be a steeper slope than the OFF (2 pole) setting. MOD DEPTH and SPEED control the intensity and speed of the reverb tail modulation. This page has been accessed 154,121 times. Page 2 ⦠When using one Behringer S16 with my X32, I canât get the Main Outputs to route to the S16. LO CUT sets the frequency at which the source signal can begin passing through the delay. DECAY controls the amount of time it takes for the reverb to dissipate. The higher the density, the greater the number of sound reflections. LO CUT adjusts the lowÂ, frequency cut, allowing lower frequencies to remain unaffected by the delay.Â, HI CUT adjusts the high frequency cut, allowing higher frequencies to remainÂ, unaffected by the delay. The Dual Guitar Amp allows the left and right channels to be adjusted independently. SPEED sets the modulation speed. (Inspired by the Lexicon PCM-70) This effect creates a unique “wobbly” sound that is quite dramatic when used on vocals and instruments. Reverse Reverb takes the trail of a reverb, turns it around, and places it in front of the sound source. HIGH CUT sets the frequency above which the source signal does not pass through the reverb. with the Triple Delay to increase the sense of stereo separation. Additionally, the PHASE knob can tweak the phase offset of the LFO between left and right channel and the SPREAD knob adjusts how much of the left channel is mixed into the right and vice versa. Front is well-suited for vocals and other dynamic instruments. The DAMP knob adjusts the decay of high frequencies within the reverb tail. DECAY adjusts the time it takes for the reverb to completely dissipate. INPUT GAIN provides up to 18 dB of gain to the input signal prior to limiting. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of âhotâ signals to prevent clipping. Stereo Precision Limiter. Employing motorized faders and rotary encoders along with a daylight-viewable TFT screen, the control surface is designed to allow immediate access to critical functions with total and automatic recall of settings. Low frequencies can be excluded with the LO CUT knob, and the MIX adjusts how much of the effect is added to the signal. The ENV MOD knob adjusts how much this effect takes place (positive and negative modulation is possible), and the ATTACK, HOLD and RELEASE knobs all tailor the response of this feature. Chorus samples the input, slightly detunes it and mixes it with the original signal to produce a somewhat thicker, shimmering sound. Low frequencies can be excluded with the LO CUT knob, and the MIX knob adjusts how much of the effect is added to the signal. PAN BASE sets the position of the first delay stage in the stereo field. parameter enquiry, subscriptions). Mix faster, easier, and better this Sunday!. Use the MIX knob to blend the effected signal with the “dry” sound. Browse our inventory of new and used Other Items For Sale In Pennsylvania at TractorHouse.com. Classic Hall Reverb simulates the reverberation that occurs w hen sound is recorded in medium to large-sized concert halls. (Inspired by the MiniMoog) 3. The WAVE knob selects between 7 different wave forms – triangular, sine, saw plus, saw minus, ramp, square, and random. PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS, AAX for MacOSX; VST and RTAS, AAX for PC) featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction.PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz. Set the early reflection times for the left and right channel with ER DELAY L and ER DELAY R. ER LEVEL sets the loudness of the early reflection level. Slider 3 selects the Hi Cut frequency. Included in the download are 100 effects presets that range through all of my favorite effects on the board. When you want to add a bit of warmth and just a touch of reverb, X32’s Vintage Room breathes life into close-miced guitar and drum tracks. The GAIN knob compensates for level changes caused by the effect. 2. The DAMPING knob determines the decay of high frequencies within the reverb tail.=. TRANSFER: You may not rent, lease, lend, sell, redistribute, sublicense or provide commercial hosting services with the Software. DENSITY shapes the reverb decay tail. Rear is suitable for drums due to it being less reflective. BTW. FACTOR A controls the amount of delay time in the second stage of the delay. Check out my presets library download for your mixer! GAIN A controls the gain level of the second delay stage. GAIN A controls the gain level of the second delay stage. When layer two is selected, slider 1 adjusts the pre delay. number of useful and flavouring effects! Slider 2 controls the low frequency multiplier decay time. This results in a “voice doubling” effect that thickens the overall sound in a more subtle way. OUTPUT GAIN sets the final gain level of theÂ, processed signal. A plate reverb was originally created by sending a signal through a transducer to create vibrations on a plate of sheet metal which were then picked up as an audio signal. SPEED, DELAY and DEPTH adjust the rate, delay, and modulation depth of the flanger. X32 DIGITAL MIXER Preliminary User Manual. https://behringerwiki.musictribe.com/index.php?title=X32_RACK%3A_FX_Descriptions&oldid=322, 5.1 Starting up, shutting down, and firmware updates, 5.2 Default setup for connecting to monitoring and P.A. (This slightly changes the reverb decay time). TIME BASE sets the master delay time, which is also the delay time for the first stage. A Stereo Imager is typically used to control the placement of a signal within the stereo field during mixdown or mastering. DIFFUSE controls the initial echo density. DIFF(USION) controls the initial reflection density. EVEN and ODD adjust the amount of even and odd harmonics. (Inspired by the Lexicon Ambience Algorithm) HI/LOW MULTIPLY adjusts the decay time of the high and bass frequencies. 5.5 How do I add one of the 8 internal effects to the sound? Wave Designer is a powerful tool for adjusting signal transients and dynamics, such as attack and sustain. The OUT GAIN knob compensates for changes in level resulting from the effect, and the SPREAD knob (Stereo version only) emphasizes the stereo content for a wider mix. Medium Vocal Hall 3. Use X32âs Stereo PrecisionÂ, Limiter to boost quiet signals or preventing clipping while preserving the level ofÂ, gain scaling of varying input level ranges. Stereo Delay provides independent control of left and right delay (echo) times and features high and low pass filters for enhanced tone shaping of the delayed signals. The envelope of the right input signal can be used as a modulation source. GAIN BASE sets the gain level of the first stage of the delay. Select the frequency and bandwidth (Q) using the corresponding knobs, then adjust the gain with the SHV GAIN knob. SIZE controls the perceived size of the space being created by the reverb effect. The Mood Filter uses an LFO generator and an auto-envelope generator to control a VCF (voltage-controlled filter), as well as a side chain function where the channel B signal controls the envelope of channel A. The PREDELAY knob determines the hesitation before the reverb affects the signal. In Sidechain mode, only the left input signal is processed and fed to both outputs. PRE DELAY sets the time before the reverb follows the source signal. The ACCEL(eration) knob adjusts how quickly the speed increases and decreases from the Slow mode to the Fast mode. Discover the latest music equipment and musical instruments online. SPEED, DELAY and DEPTH adjust the rate, delay, and modulation depth of the chorus. The mono and stereo signals can be panned independently with the MONO PAN and STEREO PAN knobs. INPUT GAIN provides up to 18 dB of gain toÂ, the input signal prior to limiting. Adjusting the PRE DELAY knob adds up to 200 milliseconds of time before the reverb follows the source signal. The WAVE knob blends the LFO waveform between triangular and square shape. AUTOGAIN activates an additional long-term gain correction, allowing automatic gain scaling of varying input level ranges. Use the MIX knob to blend the effected signal with the dry sound. GAIN B controls the gainÂ, level of the third delay stage. Stereo Precision Limiter Use X32âs Stereo Precision Limiter to boost quiet signals or preventing clipping while preserving the level of âhotâ signals. The BALANCE knob allows you to emphasize the mono or stereo components of the input signal. The BASS MULT(IPLIER) knob adjusts the decay time of the bass frequencies. One is to set the Mix knob lower and only use the Cent knob to make a small offset in pitch between the wet and dry tones. The PHASE can be offset by up to 180 degrees. Use X32’s Stereo Precision Limiter to boost quiet signals or preventing clipping while preserving the level of “hot” signals. SPEED, DELAY and DEPTH adjust the rate, delay, and modulation depth of the chorus. SHAPE adjusts the contour of the reverberation envelope. Ambience creates a customizable virtual acoustic space in which to place the elements of a mix. The VU meter displays the input and output levels. Pitch shifting is often used in two different ways. + Digital Snake + X32 Rack DSP-Power for add. Use X32âs Stereo Precision Limiter to boost quiet signals or preventing clipping while preserving the level of âhotâ signals. on linked stereo channels or buses), or Dual when you want to dial different settings for the left and right signal. Use Ambience to add warmth and depth without coloring the direct sound. This way, the signal can be shifted into other keys up to an octave above or below the original. FACTOR A controls the amount of delay time in the second stage ofÂ, the delay. Large Wide Chamber 3. X-FEEDÂ, indicates that stereo cross-feedback of the delays is active. Graphic equalizer with frequency response correction. ATTACK sets the attack time, ranging from 0.05 mS to 1 mS. RELEASE adjusts the release time from 0.05 mS to 1.04 seconds. See the Topic Guide for instructions on how to add effects to aÂ, Stereo Precision Limiter allows you to set a precise volume limit,Â, ensuring distortion-free, optimal signal integrity. Finally, the WAVE knob blends between the “Danish-style” digital triangular chorus sound and the classic analog sine wave. BASE adjusts the range of the filter from 20 Hz to 15 kHz. This effect was originally achieved by combining a reverb with a noise gate. You can further sculpt the sound by trimming some of the low and high end from the effected signal with the LO and HI CUT knobs. Available in stereo and dual-mono versions, use Tube Stage/Overdrive to dial in warm and fuzzy sounds from subtle to fully saturated. Stereo Precision Limiter allows you to set a precise volume limit, ensuring distortion-free, optimal signal integrity. The DAMP slider adjusts the decay of high frequencies within the reverb tail. Compare the demo of the precision limiter with TL´s Maximizer, an you will save a lot of bucks. We are one of the few services online who values our users' privacy, and have never sold your information. SIZE controls the room size emulation. Large Dark Chamber 2. Use it to thicken up background vocals, or to double the sound of brass and woodwind instruments. T-RackS Custom Shop Precision Compressor/Limiter IK Multimedia, makers of the popular T-RackS plug-ins have released their take on the classic Neve 33609 stereo compressor/limiter. The LO and HI CUT knobs allow the effected signal to be band-limited. effects + Multitrack ⦠Use the Hall Reverb to give your mix a lush, three-dimensional quality that will make your performance sound larger than life. The Sonnox Oxford Limiter v2 plug-in for UAD-2 hardware and Apollo interfaces lets you increase the volume, density, and presence of your tracks without losing all-important transients or dynamics. The PREDELAY knob determines the hesitation before the reverb affects the signal. This page was last modified on 27 March 2014, at 09:17. Rotary Speaker emulates the sound of a Leslie rotating speaker. The PHASE can be offset by up to 180 degrees. BUZZ adjusts the low-end breakup, PUNCH adjusts the midrange distortion, and CRUNCH tailors the high-frequency content and distortion for smooth or cutting notes. Studio 2 Chamber Reverb: 1. Slider 4 controls the amount of modulation in the reverb tail. Stereo Precision Limiter allows you to set a precise volume limit, ensuring distortion-free, optimal signal integrity. In our 60+ video lessons, we deep dive in to EVERY feature of the console: setup, input routing, equalization, compression, gates, effects, matrixes, output routing, and more. Stereo Delay provides independent control of left and right delay (echo)Â, times and features high and low pass filters for enhanced tone shaping of theÂ, delayed signals. Gated Reverb is especially effective for creating a 1980s-style snare sound or to enlarge the presence of a kick drum. The TruEQ incorporates a special algorithm that compensates for the gain adjustment overlapping effect that adjacent frequency bands have on one another. HI CUT adjusts the high frequency cut, allowing higher frequencies to remain unaffected by the delay. The Vintage button enables the simulation of the input transformers. Best reagards Thomas I have an idea how to make offline version of it, but at first I want to eliminate all bugs in script. The DECAY knob adjusts how quickly the reverb fades. LO CUT sets the frequencyÂ, at which the source signal can begin passing through the delay. MODE sets the feedback mode: Mode ST sets normal feedback for both channels, X crosses feedbacks between left and right channels. FEED adjusts the amount ofÂ, feedback. (Inspired by the Quantec QRS) Use Vintage Reverb to sweeten vocals and snare drums without sacrificing clarity. The SIZE controls how large or small the simulated space is (room, cathedral, etc.). The right channel LFO PHASE can be offset by up to 180 degrees, and FEED (positive and negative amounts) adjusts the feedback effect. (Inspired by the Lexicon Ambience Algorithm), DECAY adjusts the time it takes for the reverb to completely dissipate.Â, SIZE controls the room size emulation. The modulation source can also be the signal envelope, which produces vowel-like opening and closing tones. When Layer 1 is selected, the far left encoder push button allows you to select between virtual front and rear outputs. 5.7 Everything you ought to know about Solo and monitor sources. RISE controls how quickly the effect buildsÂ, Editar, enviar por el correo electrónico o leer online. HI CUT adjustsÂ, the high frequency cut, allowing higher frequencies to remain unaffected by theÂ, reverb. The FEED LO CUT/HI CUT adjusts filtersÂ, in the feedback paths. systems. That would be great. The DELAY knob creates a time difference between the wet and dry sound. Stereo Precision Limiter allows you to set a precise volume limit, ensuring distortion-free, optimal signal integrity. X32’s Enhancers are so called “Psycho EQs”. The LO SPEED and HI SPEED knobs adjust the rotational speed of the SLOW and FAST Speed selection, and can be toggled with the FAST button. FEED L and FEED R control the amount of feedback for the left and right channels. Use the swelling crescendo of the Reverse Reverb to add anÂ, ethereal quality to vocal and snare tracks. X-FEED indicates that stereo cross-feedback of the delays is active. When you need to generate maximum punch, clarity and detail, without turning up the overall volume, our enhancers are the solution. stage. SPEED adjusts the LFO rate and DEPTH sets the amount of modulation. TREBLE GAIN/FREQ adjust a high shelving filter at the output of the effect. (Inspired by Sony Oxford Dynamics*) The DE-ESSER is a âmust-haveâ tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Our gated reverb creates the same impression by a special shaping of the reverb tail. Adjust the resonance of the filter until self-oscillation with the RESO(nance) knob.
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