He tells Phyllis that Nino Zachetti will be at the Dietrichson residence in 15 minutes, followed closely by the police. Double Indemnity is a 1944 film noir directed by Billy Wilder. About Book. How-To Tutorials; Suggestions; Machine Translation Editions; Noahs Archive Project; About Us. "Double Indemnity” has one of the most familiar noir themes: The hero is not a criminal, but a weak man who is tempted and succumbs. The absence of her husband continues when Walter tries again to meet with him, and the sexual tension ramps up. Double Indemnity is a 1943 crime novel by American journalist-turned-novelist James M. Cain.It was first published in serial form in Liberty magazine in 1936 and later republished as one of "three long short tales" in the collection Three of a Kind. Hit in the shoulder, Walter approaches Phyllis, daring her to shoot him again. Walter turns down that offer and puts the plan into action. Phyllis embraces him and Walter grabs the gun and shoots twice, killing Phyllis. Copyright © 1999 - 2021 GradeSaver LLC. Walter lets Keyes knows the feeling is mutual and accepts one final cigarette before dying. Not affiliated with Harvard College. Copyright © 1999 - 2021 GradeSaver LLC. Complete summary of James M. Cain's Double Indemnity. Double Indemnity is a film that narrates an exciting tale of seduction, greed, murder, and betrayal. Walter admits that he knows she and Nino have been working together from the start, and that she probably would have schemed against Walter as soon as she received the policy money. Walter calls Phyllis and demands to see her at 11:00 PM that night. resource to ask questions, find answers, and discuss the novel. Through voice-over, Walter confesses that Phyllis had plans of her own. Double Indemnity Videos. The very next day, Lola asserts her suspicion of Phyllis, and Walter learns the cause of their mutual hatred: Phyllis was hired to nurse her mother, who then died mysteriously while in the care of Phyllis—who would, of course, go on to marry her father. While the police have ruled that the death was an accident, the President of Walter’s insurance company is suspicious and reluctant to shell out the $100,000. Walter plays back a dictation machine tape, in which Barton advises against placing Walter under surveillance, given his strong alibi and their intimate working relationship. With Walter hiding in the back seat, Phyllis drives her husband to the train station, but before he gets there Walter emerges and strangles him. was meant to be a quickie job that Cain vowed would never be reprinted as a book.While researching Postman, Cain had talked to some insurance … She admits that her husband has abused and essentially abandoned her, and that she has fantasized about being rid of him. Walter Neff, a top insurance salesman (MacMurray), falls for the bored, sharp-talking wife (Stanwyck) of an oilman and goes in with her on a murder and insurance fraud scheme. Walter Huff was an insurance salesman with an unfailing instinct for clients who might be in trouble, and his … Double Indemnity, published in 1934, is Cain's second novel and is set in the young, booming city of Hollywood.In a city where insurance salesmen are close to the bottom of the social pecking order, Walter Huff rates as "average." Barton tells Walter he's all washed up, and goes to call for a doctor, but Walter stops him. These papers were written primarily by students and provide critical analysis of Double Indemnity by director Billy Wilder. Walter says, "Goodbye, baby," and fires two shots into her chest. They both give in to the rising passion and embrace and kiss. GradeSaver, Walter and Phyllis's Courtship and Conspiracy Scenes, Read the Study Guide for Double Indemnity…, Scarface and Double Indemnity: The Corporate Loss of American Morality, The Function of the Male Gaze in Vertigo and Double Indemnity, View Wikipedia Entries for Double Indemnity…. These papers were written primarily by students and provide critical analysis of Double Indemnity by director Billy Wilder. Walter encounters his other double, Nino Zachetti, on his way out of the house. I'll tell ya. Water tells Phyllis that he knows she only used him and is going to frame an innocent Nino. Before coming to see her, Walter instructs Phyllis to leave the lights on, but Phyllis deliberately turns all the lights off. Wilder was known for his tendency to remove vital scenes from final prints of his films. It all started, he begins, on that day in May when he headed out to the Dietrichson home to update their automobile coverage. Phyllis and Walter make arrangements for it to appear as if Mr. Dietrichson fell from a train so Phyllis can collect the $100,000. The film's final scene addresses the tragic outcome of what is arguably the film's most pivotal relationship: that between Walter Neff and Barton Keyes. Phyllis admits that she has manipulated Nino's hot temper in the past by telling him that Lola was seeing other men, implying she could get Nino to kill Lola and even Walter. The best of film noir sizzles with crackling, sardonic dialogue, veiled lust, terrific black-and-white photography, and overtones of impending doom. One night they walk through the woods behind the Hollywood Bowl, and Lola confides in Walter that she believes her stepmother and Nino Zachetti conspired to kill her father. When the passenger heads back into the train to get "Mr. Dietrichson" (i.e. Whether Phyllis hesitates because she is selfishly frightened or because she genuinely cares for Walter on some level is left ambiguous. Walter finally meets with Mr. Dietrichson and with Lola present attempts to sell him on the idea of accident insurance. DOUBLE INDEMNITY has all the hallmarks of film noir – it's a moody, pessimistic crime story with strong overtones of spiritual bankruptcy and moral cynicism. Lola informs Walter that her boyfriend Nino is also romantically involved with Phyllis, and a betrayed Walter ponders the idea of killing her. Walter Neff: Know why you couldn't figure this one, Keyes? Walter is surprised to learn that the company has instead nabbed Nino Zachetti as the culprit—Walter's "double" and Phyllis's erstwhile lover. As the would-be lovers plot the unsuspecting husband's murder, they are pursued by a suspicious claims manager (Edward G. Robinson). The confession is addressed to Barton Keyes, the claims agent who is his immediate superior. The literal and figurative tension between light and shadow reemerges in the penultimate scene of the film. Keyes, a tenacious investigator, does not suspect foul play at first, but eventually concludes that the Dietrichson woman and an unknown accomplice must be behind the husband's death. eNotes plot summaries cover all the significant action of Double Indemnity. Walter replies, "I love you, too." The policy that Mr. Dietrichson just unwitting signed carries a double indemnity clause which pays off double the face value in the event of death from a rare accident such as falling off a train. Pacific All-Risk will therefore be required, by the "double indemnity" clause in the insurance policy, to pay the widow twice the normal amount. Read 11 reviews from the world's largest community for readers. Both are attracted not so much by the crime as by the thrill of committing it with the other person. He struggles to make his way out of the house and runs into Nino, telling him to go back to Lola as she is the one who really loves him. In the movie, an insurance salesman attempts to assist a young woman to murder her husband to obtain insurance money. Ironically, the man who is most desperate to solve the case, Barton Keyes, is the man who insulates Walter from suspicion: Walter listens to Barton's dictaphone and hears that he advised the company against placing Walter under surveillance, which would surely have yielded incriminating evidence against him. Wilder captures the resiliency of this male bond in a final, sentimental image, in which Barton lights Walter's cigarette as he lays dying in the Pacific All Risk office. Double Indemnity study guide contains a biography of director Billy Wilder, literature essays, quiz questions, major themes, characters, and a full summary and analysis. He tells her not to worry about Barton and to leave the lights on, and assures her that no one will be watching the house. Analysis Of Double Indemnity 1052 Words | 5 Pages. Even so, he can’t get Phyllis completely out of his mind, and he is not surprised when she suddenly shows up at his apartment. A woman and her lover murder the … Double Indemnity essays are academic essays for citation. The Question and Answer section for Double Indemnity is a great Walter Huff, an insurance agent, falls for the married Phyllis Nirdlinger, who consults him about accident insurance for her unsuspecting husband. Rather than continue with the plan and ride "to the end of the line," with her, Walter tells her he found another man to ride in his place: Nino Zachetti. Double Indemnity 1994 Summary of the Plot. James M. Cain, virtuoso of the roman noir, gives us a tautly narrated and excruciatingly suspenseful story in Double Indemnity, an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. Classic, not Cult Movie. Rereading Books Rereading: Mildred Pierce by James M Cain Todd Haynes has adapted Mildred Pierce, James M Cain's novel about a divorced mother in the depression, as a sumptuous TV mini-series. Furthermore, whereas no relationship can be proved between Walter and Phyllis, Barton notes on the tape that Nino Zachetti has been seen visiting Phyllis multiple nights in a row, and that sufficient evidence exists to hand Nino over to the police. Double Indemnity book. Unlike Walter, who seems to express sincere if tenuous love and affection for Barton, Phyllis enjoys no such companionship with anybody, and the image of her smoking a cigarette in the darkness models her utter isolation, depravity, and self-absorption. He wonders aloud whether Phyllis's body has been found yet, and asks Barton to go easy on Nino, knowing he has been manipulated by Phyllis. It is 4:30 in the morning back in Walter's office, as his confession into the recording device concludes and Keyes appears. GradeSaver, Walter and Phyllis's Courtship and Conspiracy Scenes, Read the Study Guide for Double Indemnity…, Scarface and Double Indemnity: The Corporate Loss of American Morality, The Function of the Male Gaze in Vertigo and Double Indemnity, View Wikipedia Entries for Double Indemnity…. Film and Plot Synopsis. Barton crouches over him and tells him the police are on the way. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production. A calculating wife encourages her wealthy husband to sign a double indemnity policy proposed by smitten insurance agent Walter Neff. The policy that Mr. Dietrichson just unwitting signed carries a double indemnity clause which pays off double the face value in the event of death from a rare accident such as falling off a train. Los Angeles. GradeSaver "Double Indemnity the Finale Summary and Analysis". Walter remembers the first time they met in that room, and tells her he came to say goodbye. The night is dark and the blood seeping from Walter Neff is red. Double Indemnity Photograph: BFI. In Barton Keyes’ speech (Edward G. Robinson), he conceives the insurance company as a sort of symbol for this modern hypocrisy in society and in man to man relations. Walter heads to meet with Phyllis unaware that she is waiting for him with a concealed gun. When Phyllis makes some inquiries about the possibility of taking out an accident insurance policy on her husband without her husband’s knowledge, however, Walter gets spooked by the implications of murder and takes his leave. When she asks where he's going, he tells her he isn't going anywhere—she is. View All Videos (9) Double Indemnity Quotes. Double Indemnity is a 1944 American psychological thriller film noir directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. Barton invites Walter for a celebratory drink, but Walter declines and searches Barton's office for the identity of the apprehended accomplice, thinking Barton may be toying with him. Walter hints to him that he has been deliberately misled about Lola, and that she still loves him. There were quite a number of differences that could be spotted between the original novel and the film. The screenplay was written by Raymond Chandler and Billy Wilder. In the meantime, Keyes has now concluded that Dietrichson was murdered and locates the man who was on the platform with him just before he supposed fell over onto the tracks. … Paranoid that Keyes knows the whole story, he listens to the recording on Keyes’ Dictaphone and learns that Nino is the suspected partner. Double Indemnity study guide contains a biography of director Billy Wilder, literature essays, quiz questions, major themes, characters, and a full summary and analysis. DOUBLE INDEMNITY, Book Versus Movie Posted on November 6th, 2016 by Adam-Troy Castro Taking a necessary break from watching a movie I know practically by heart, Billy Wilder’s DOUBLE INDEMNITY. Essays for Double Indemnity. She hesitates and tells him that she was using him all along and that she never loved him until that precise moment. After Walter tells Phyllis that the police will soon arrive to apprehend her, she shoots him as he is closing the venetian blinds, an already-established visual symbol for criminality and imprisonment. The plan is not carried out until June, after the claims agent Barton Keyes has extended an offer to make Walter his assistant. . In Double Indemnity, Fred MacMurray is an insurance salesman that Barbara Stanwyck into killing her husband for the insurance money.Edward G. Robinson is MacMurray’s co-worker and mentor whose job is to find phony claims. Walter finally looks up to see Barton standing in the office, who has been passively watching a sweaty, injured Walter confess for an extended period of time. Wilder underplayed the father-son relationship in addition to the police routine constituent that could have made his film a detective tale more willingly than a twisty noir, which is what it in … 'Cause the guy you were looking for was too close. His plan to simply jump off the caboose is interrupted by the unexpected sight of another passenger. The (Not-So) Good Girls of Film Noir; Scarface and Double Indemnity: The Corporate Loss of American Morality 1938. In spite of his instinctual decency, and intrigued by the challenge of committing the … Walter puts a cigarette in his mouth, and Barton lights it. James M. Cain, virtuoso of the roman noir, gives us a tautly narrated and excruciatingly suspenseful story in Double Indemnity, an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. Walter refuses to believe her, but she asks him to hold her close. MacMurray comes up with a murder plot that will trigger a double indemnity clause to double the payout. The Question and Answer section for Double Indemnity is a great Though the story is set in 1938, the film’s bitter ending is reflective of the pessimist mood that prevailed in the 1940s as a result of WWII. Walter calls her "rotten" and crosses the room to close the window blinds. Double Indemnity essays are academic essays for citation. Dietrichson supposed had a broken leg, yet never filed a claim for it despite having just purchased accident insurance. Detailed plot synopsis reviews of Double Indemnity It is 1938 in LA. About Double Indemnity. When Walter enters, she is reclining in the dark on a chair, listening to the radio and smoking a cigarette, having stashed a gun nearby. Against his better judgment—which is about to almost completely wither under the influence of his unwise passion—Walter mulls over how to get around this obstruction. Ending / spoiler. Barton's melancholy in the final scene contrasts with his fire-breathing attitude throughout the film, and suggests how resilient his bond with Walter is, despite the criminal disclosure. Although both … Walter learns that the beneficiary of Mr. Dietrichson’s life insurance is not Phyllis, but his daughter Lola. Walter explains to Barton that he couldn't solve the Dietrichson case because the culprit was "across the desk," and Barton tells him, "Closer than that, Walter." Phyllis and Walter make arrangements for it to appear as if Mr. Dietrichson fell from a train so Phyllis can collect the $100,000. Double indemnity , James Mallahan Cain Double Indemnity is a 1943 crime novel, written by American journalist-turned-novelist James M. Cain. Walter) a cigar because the poor man is hobbling around on crutches, Walter jumps over the side. Double Indemnity essays are academic essays for citation. This film was nominated for seven Academy Awards, but it did not win any prize. Finally, he agrees to help Phyllis off the husband. Walter gives Nino a nickel and suggests that he go call Lola from a payphone rather than enter the Dietrichson house. They place the dead body on the tracks and leave by car. He refuses but accepts the wisdom of purchasing auto insurance, but Walter furtively slips the accident form in for him to sign as well. Now despairing, Walter begins to spend more time with Lola, enjoying her calming presence. Superior in every respect to its literary source, “Double Indemnity” is a film that became a classic due to sustained critical support. Not affiliated with Harvard College. Walter (Fred MacMurray) kills Phyllis (Barbara Stanwyck) because he's jealous, doesn't want to be in the crime anymore and his boss Keyes (Edward G. Robinson) is … Books; Search; Support. In this "double” story, the woman and man tempt one another; neither would have acted alone. the Aftermath Sequence Summary and Analysis. Keyes lets Walter know he is disappointed, but still has great affection for the younger man. The film counterbalances the theme of feminine evil in the film, personified by the figure of the femme fatale, with genuine moments of male-male bonding and outreach such as this one, in which Walter essentially sees in Nino a younger, more gullible version of himself. Double Indemnity moreover has a homoerotic bond between Walter Neff and Barton Keyes (Edward G. Robinson), the claims examiner who believes Phyllis, but not Walter, of the crime. The novel later served as the basis for the film of the same name in 1944, adapted for the screen by the novelist Raymond Chandler and … Lola and Phyllis despise each other. Walter tells Lola not to imagine such things, but wonders to himself how Nino Zachetti fits into the picture. Lola suggests that Phyllis is responsible for the death of both of her parents and worries she may be next. In “Double Indemnity”, the type realism is taken not so much from a specific character but from the character’s activities (for living I mean) and another character’s speech. -goodreads Walter explains he was "straightening out" the Dietrichson case, and Barton admits that you "can't figure them all." . Intriguingly, she hesitates before shooting him a second time, again foregrounding the significance of the number "two" in a film that has already toyed deliberately with notions of duality, doubleness, and doppelgängers. At the Pacific All Risk office, Barton tells Walter the Dietrichson case "busted wide open"—they caught Phyllis's accomplice. Walter Huff was an insurance salesman with an unfailing instinct for clients who might be in trouble, and his instinct led him … Jasmine Nguyen Mr. Bailey Writing 39B 7 November 2016 Double Indemnity - Book vs. Movie Double Indemnity, written by James M. Cain was made into a big screen adaptation in 1944. The film is known for setting the standard for its genre (some argue it being one of the first) and putting Wilder's name on the map as an innovative director. It is explained that Wilder has the gift of achieving various, ... Alternate Ending For DOUBLE INDEMNITY.” YouTube. The gesture symbolizes Phyllis's desire throughout to conceal her true intentions from not only Walter, but also Nino, Lola, Mr. Dietrichson, and the insurance company employees. After she leaves, Keyes makes it clear that the payout will have to be made because of the statistical improbability of it being a suicide. Barton replies sadly that he won't even make it to the elevator, and Walter collapses near the front door of the Pacific All Risk offices. What marks Double Indemnity out from other great film noirs is that sense, among all the crazy, twisted, duplicitous shenanigans, of real, human heartbreak. ... Film Noir is a book that discusses Double Indemnity as a film noir and shows that many different aspects of the movie that proves it fits this genre. Throughout the film, Wilder's script stresses the fact that Walter and Phyllis must ride out the consequences of their fatal scheme, "straight to the end of the line," and Walter's final actions in the film amount to a last-ditch effort to "jump" off the proverbial train and avoid this fate. The film's influence is firmly cemented and continues to this day.
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